Tinted Windows – Tinted Windows

Tinted Windows
Tinted Windows
S-Curve
Buddyhead presents to you another album review that should’ve been conducted months ago. Although, by now, I’m sure you’ve already decided whether or not a record consisting of the following individuals was worth an ounce of your time:
Taylor Hanson (vocals): Vocalist/keyboardist for Hanson. Best known for the 1997 jibber-jabber megahit “MMMBop.” Adored by pre-teen girls all over the world, as well as by guys who initially thought he was a chick. Taking down my Taylor poster was a dark moment in my life I’d rather forget.
James Iha (guitarist): Former guitarist for Smashing Pumpkins, A Perfect Circle and other bands that hired him for his stellar talents because he’s Japanese. Splits his time between Tinted Windows and working the register at Yoshinoya.
Adam Schlesinger (bassist): Member of Fountains of Wayne and Ivy. A prolific songwriter, having contributed material for The Click Five, Jonas Brothers and other flavor-of-the-month studs your baby sister loves.
Bun E. Carlos (drums): Plays for Cheap Trick. Recruited into the Tinted Windows lineup because Josh Freese had better things to do.
Based on the credentials of these powerpop heavyweights, one can (correctly) imagine this eponymous record being marked by a slew of happy-go-lucky cuts designed for airplay on Radio Disney and MTV’s The Hills. With that in mind, there’s nothing on here that comes close to the critical and infectious heights of “I Want You to Want Me” and “1979.” The band’s inability to accomplish what they’re supposedly good at is a shame as one decent track could’ve garnered a passive recommendation from yours truly who otherwise assumed dogshit before pressing play.

The album is truly a pain in the loins with its verse-chorus-verse-chorus-chorus-chorus structure, repeating song titles for what seems like forever until you realize that bludgeoning yourself with a power tool provides a far greater pleasure than listening to this half-hour debacle. At best, it’s a lot like Weezer’s latter-day discography: appropriate during the summertime or as a gift for your middle school sweetheart who enjoys Red Bull, MySpace and Trapper Keepers.
Granted, pop should more or less conform to the structure mentioned in the previous paragraph. However, there’s one element absent from the Tinted Windows formula: talent. What happened? Some of these guys are more than capable of producing acceptable tunes within the confines of their primary bands. At this point, a rehash of “Someone To Love” would’ve at least exceeded the low expectations attributed to these supergroup projects that always seems to highlight each member’s blandest qualities. Tinted Windows rewards the public with some contrived mishmash of Ms. Hanson’s breathy “oooh whoaaa” vocalizations and Iha’s vanilla guitarwork, which is completely devoid of personality. Sorry, James. Say hello to D’arcy for me.
This is the part of the review where I recommend a song from the album. Unfortunately, I can’t discern one track from another, so with the foolproof technique of closing my eyes and pointing at the tracklist, that esteemed honor goes to “Dead Serious.” Whatever. Nevertheless, it’s comforting knowing that their own fanbase has mixed feelings about the record, not to mention it should never be dignified with the term “record” and, more importantly, “music.”
If you want pop done right, try some ABBA and Electric Light Orchestra.
Popularity: 2%

I get bummed out whenever I see this album cover because, with a name like Tinted Windows and that album cover, this should sound like some Nuggets garage rock. I always have to see the “Taylor Hansen from Hansen” tag to realize what this shit actually is.
And just when I forgot this thing even exists, Buddyhead has to belatedly slag this thing (though the slagging is more than justified).
Thanks for ruining my evening.