Ifihadahifi, Star Wars, Republicans and a Few Quick Thinking Points About Political Art

While there’s no shortage of items in the news to get worried about– and if you don’t know what I’m talking about, just check the BBC real quick– things are still going down in Wisconsin. Remember Wisconsin?

No matter which side(s) of the collective bargaining/union busting/budget balancing/rules-of-legistlature debate(s) you fall on, if you like a nice slice of “post-punk” (I do not think “post-punk” is really a thing, but hey– music-writer shorthand) by Milwaukee’s Ifihadahifi. Released as a one-off download for now, with a physical EP/ 7′inch to follow, “Imperial Walker” is a slicing track of low-end synth damage and crunchy guitars that strikes a hot balance between straight-faced protest well-played goofing. The title is, yes, both a joke on Governor Walker’s name and Star Wars. You can read their statement (and the lyrics) and listen to the song at the link above. The track is catchy and snarky and gathered enough attention that it actually pissed off some Republicans. Which sorta got me to thinking– what exactly does a “political” song need to do in order to be “successful?” The National Review article takes some pretty fair shots at Rage Against the Machine and the 2004 Kerry campaign, but maybe it misses the point with regards to art and politics? At what point is art simply propaganda? These are hardly new questions, but they’re still worth chewing on.

This would be interesting to hear Ifihadahifi’s take on as well; their 2008 record “Fame by Proxy” (which has some pretty sweet jams, btw) largely dealt in meta-commentary on being in a little-known band, abstractions and darkly funny one-liners. Direct politics were rarely addressed. As things start ramping up for the 2012 election will we be seeing more formerly a-political bands getting serious, or will, like in most of the ’00s, the commentary stay between cuts, rather than in the music itself? Which do we want at this point? I’ve heard it lamented that the ’00s produced very little trenchant social commentary by independent artists, but many of the people complaining readily dismiss anything with a whiff of a direct message. So . . .

About Graham Isaac

Email Graham ---> graisaac@gmail.com

  • http://twitter.com/GONZOCHICAGOGO GONZO CHICAGO

    One time, i’d say 8-10 years ago…Enon and Ifihadahifi played Appleton Wisconsin’s “Ryan’s Ballroom”….in the bar area….afterwards…we went to someones house and smoked weed…they turned on Mr Show (i had no idea what it was at the time)….and the Enon boys opened up a giant cooler full of assorted Leinenkugel’s. Pretty sure before I left I told Schmershullll that “i don’t mean to be that guy, but…brainiac”, etc etc. You know. the thing you shouldn’t really do. It was the Creamy Dark, i tells ya. Man…it’s early. IFIHADAHIFI have been playing for a long time, and have always been a good time. Upward, Wisconsin! Cheers, boys.

  • Anonymous

    Ok I cracked.

    @Gonzo – That was my house, I am not sure which other members of the hifi were living there at the time, but we all lived in that dirty house on Doty Island for a few years. Enon are old friends, great people.

    This would be interesting to hear Ifihadahifi’s take on as well – I have a rule that I never answer a writer unless they mess up something technical, like if they say I used a small clone pedal when I really used a small stone pedal – I figure if someone wants that sound they should know how to get it. Asking our take on something is dangerous, you will likely get 4 different takes and they will conflict with each other. But you asked nicely. So here is my take.

    Which sorta got me to thinking– what exactly does a “political” song need to do in order to be “successful?” – I have no clue, this band has been a money pit for 11 years, I am not sure I would know what success is if it smacked me in the face. I guess I would call ours a success as we made money for a good cause and pissed a lot of Republicans off. That is enough for me to call it a success. I am also not sure we are really the people to ask, many people have written much more successful protest songs, can you get any member of Fela Kuti’s family on the phone? What is Zack de la Rocha doing these days? I am pretty sure he is not raging it up.

    PS: Why are 99% of protest songs wimpy folk crap?

    Here is more about the making of the record,



    Thanks to Howl Street who donated the time for free, and thanks for the write up.

  • http://buddyheadtk.tumblr.com Travis Michael Keller

    That’s a long comment

  • Anonymous

    yeah, I can rant. Another reason I never reply to writers.

  • Anonymous

    Oh shit yinger I just realized who you are, the Hissing Prigs logo should have tipped me off, the last time we hung I helped you find your car after a cactus club show… fuck man, you were drunk on something fierce that night, that shit was funny as hell.

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