Joy Orbison – Hyph Mngo “”

Sorry, pilgrim. I don’t have to pretend to hate ‘Joy Orbison’. I really, really hate it.

And I apologize again for being unable to conjure a novel-length dissertation on jive indie dance tripe. Guess I’m not much of a thinker.

And you don’t have to look far to find me promoting the things that I love.

Wow, terrible review, one sentence about the actual track, the rest is just a load of unfunny whine about the guys name. Better than being called “Chip Norman” in my books, I’d rather sound like I fuck men than members of my own family…

Yeah Chip, terrible review. What’s up with you, like, having an opinion about this dude? I want you to drone on for 6 paragraphs and talk down to the reader. Spend more time on bad music bro!

MORE LIKE CHIP BOREMAN!!!!

Why are there all these pussies on here crying about reviews? Going off HARD on shitty music since forever, thats Buddyhead.

You’re on, Chip. So now how do we prove it?
That said, hilarious review.

some kid abused the name of rko. omg.

the kid made a track that sounds like something already heard before. omg.

pitchfork likes it because they have to jizz over everything with a grain of teh dubztepz in it. omg.

dude with bloargh has to post a “re: good pitchfork-review”-rant out of principle. omg.

good read though. thumbsup.

i concur, the name’s whack.

but the tune is great.

Chip you are a clearly deluded delusional excuse for a human being,and have no idea what so ever about the UK dance music scene,your review is a joke,just like you

Wanker is the only word that can spring to my “limey homo british” mind.

Chip if you don’t like his tunes, it’s simple, don’t listen.

Don’t start personally slating a bloke you don’t even know just because you know you can hide behind your computer screen and empty box of tissues.
I bet you got a hard on when you thought this shit up.

And if our “limey homo” british dance scene is so poor, why do you lot see fit to copy it so much?

And to the bloke who said he’s an “amateur reason user”, explain to me exactly how you came to this conclusion.
The production seems pretty damn good to me.

So basically what im saying is, next time you think of writing a crap review like this and personally attacking someone, drag your fat un-limey arse to the bathroom(you know the place you go to wash yourself and get a refill of tissues) take a long hard look in the mirror and ask yourself “WHAT HAVE I ACTUALLY DONE THAT IS BETTER THAN HIM”.

And before you say it, im not saying you can’t have an ‘opinion’, all im saying is you shouldn’t attack someone in such a way.
Just say, I DON’T LIKE HIS TUNES

TWAT

Who the hell do you think you are. You are just the sort of person that dons a pointed hat, you know the sort I mean and believes there own shit. So what if the name is a play on ROY ORBISON what harm is that. As far as the music is concerned the Americans can’t manage to master the sub yet so when you can you will have something to compare it with. The music will stand up to test of time will you ?

You arse.

Reading your rediculous crap conjures up a sad little man who needs to get his rocks off by verbally abusing others who have talent and use it. Your talent seems to be your mouth and what comes out of that is not even gramatically correct,oh sorry do you know what I mean by that, no probably not. you chip munk.

Well done L. You managed to spell the word grammatically wrong whilst trying to pick on someone for their poor grammar. You also spelt ridiculous wrong. You complete and utter retard.

Joy Orbison is great by the way.

What a shit review.

the more i read buddyhead the more latent homosexuality i pick up from its writers. you guys are pretty obsessed, no? whens the last time you weren’t thinking about cock?

chippy–

what exactly is your frame of reference when you’re slagging off an artist that has garnered the widespread acclaim of most credible music journalists/publications, DJs, electronic music afficionados and tastemakers? you mean you’re presenting your opinion just to be an anti-pitchfork contrarian? lol.. journalism major hacks/armchair music critics like you are a dime a dozen. people who don’t know shit about electronic music or its underlying subcultures and historical significance are even more numerous. welcome to yesterday, dude bro! you sound about as clever and original as a 45 year old henry rollins

in your vain attempt to assert some sort of “original” opinion, you’ve only painted yourself as a dimwit with no reasonable or credible frame of reference to be brushing your strokes as broadly as you are. i mean comparing this music to something like Snap? as terrible as Vice’s writing is these days, I doubt you’d even qualify for consideration as an intern you fucking hack

“sounds like an ambient, repetitive version of “I Got The Power!”- ha, im sorry are you old and retarded? Honestly dude, this resembles something that my grandmother would say when asked to describe any electronic music ala “them kids and their doof doof…”??? NO credible reviewer would ever pull out the ‘it all sounds the same’ card. So lame

Anyway,I suggest just keeping your mouth shut about things you clearly dont know shit about and keep on crywanking over your bon iver.

“Homo”! What the shit is this, the fucking second grade?
Stay classy chip.

wow, you’re a real iconoclast chip.

i mean cunt.

So Chip, what have you ever done with your life besides congesting the internet with your puerile hick nonsense?

Joy Orbison is a genius name, which is fitting since the DJ/Producer is a genius. Hyph Mngo is a euphoric, uplifting yet deep track that has and will continue to destroy many dance floors when it’s dropped. You have litrally no idea about the UK dance music scene, and your retarded, narrow mind never will.

Poorly written attack article, aimed more at attracting attention than critiquing the music. I won’t be coming back to this website again. Have fun trying to appeal to the lowest common denominator!

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